Total Recall is based on the short story “We Can Remember it for You Wholesale” by Philip K. Dick. This connection itself makes this movie science fiction. Philip K. Dick is one of the more well know sci-fi short writers.
This film is set post-chemical war and the only two areas that can be inhabited are the United Federation of Britain and The Colony (formerly Australia.) This is easily explained. It could happen at any point in the future with any country. Perhaps it would not on the global scale as in this movie; unless the delivery method was by intercontinental ballistic missile. The mode of travel is completely fictional. There is no way to really travel safely past the Earth’s core. So it is a variation on reality. But science fiction also has the element of fanciful imagination to it that may or may not be possible. Will it truly be possible to travel through the Earth’s core via a vehicle like The Fall? Maybe but not in the near future and certainly not in my lifetime or my child’s lifetime. Futuristic cars, antigravity, synthetic people (robots or androids whatever they are designated they are still synthetic), and some catastrophe are something that one would expect to find in science fiction. And Total Recall has it. One convention that is expected, especially if there is knowledge of the original Total Recall (1990), is travel to another world and aliens. We don’t see that in this one. We do get a couple of nods to the original. The first being the three breasted prostitute and the second a very familiar woman that looks very similar to Arnold Schwarzenegger’s Doug Quaid’s disguise to get to Mars is seen right before the disguised Colin Farrell’s Doug Quaid. There are two narrative structures that work very well together for this film, pre-existing and discovery. Pre-existing because the world is there when we come in, the catastrophe has already occurred. Discovery because it is obvious in the opening sequence that Doug Quaid isn’t himself, at least he isn’t certain who he is. He’s having strange dreams that seem more like memories than dreams. He goes through the film discovering who he was and that he doesn’t want to be the person Cohaagen wants him to be. In other words he has discovered there is a way to be better than the man he doesn’t remember. He has discovered his new self in the process of remembering Melina and helping the resistance. The screenwriters did an excellent job weaving these two structures together and adapting portions of Mister Dick’s short. The evolutionary model in Total Recall is global catastrophe. One could argue that there is a dash of mutated species in there. How many three breasted prostitutes are alive today? Oh, right, none! Could it have been the product of surgery or the effects of chemical warfare that her parents lived through? We don’t really know but she lives in The Colony and nothing good comes from The Colony according to Cohaagen.
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The movie Winchester ’73 (1950) is about one of the few “perfect” rifles produced by the Winchester Repeating Arms Company in 1873. It is touted to be the gun that won the West. This film is directed by Anthony Mann, story by Stuart N. Lake, screenplay by Robert L. Richards and Borden Chase. The film stars James Stewart, Shelley Winters, Stephen McNally, Millard Mitchell, and Will Geer.
Winchester ’73 is a film that follows not just a person but a rifle. It starts with our hero Lin McAdam (James Stewart) and his pal High Spade Frankie Wilson (Millard Mitchell) coming to Dodge City just in time for the 4th of July centennial celebration. After a run in with Wyatt Earp (Will Geer), who is very pleasant after the interference, the pair make way to the saloon. There they encounter the object of their journey, Dutch Henry Brown (Stephan McNally). It’s obvious there’s tension there. Earp makes certain that the trouble will not arise during the celebrations by gently warning the men. The scene in the saloon dissolves into the shooting match the next day. The prize is 1 of 1,000, a perfect Winchester 1873. McAdam eventually wins. But whatever rift is between McAdam and Brown causes Brown to beat the tar out of McAdam and steal the rifle before McAdam’s name is engraved on the plate on the buttstock. The next time the rifle changes hands it goes from Brown to Joe Lamont (John McIntire) then from Lamont to Young Bull (Rock Hudson). We don’t see the rifle again until Young Bull attacks a wagon train going to re resupply a fort on the frontier. After Young Bull is killed one of the young soldiers finds the rifle and turns it over the SGT Wilkes (Jay C. Flippen). The sergeant doesn’t want it to go into general supply and attempts to hand off to McAdam who is leaving the area on his search for Brown. But instead Steve Miller (Charles Drake) gets it. The rifle then goes on to change hands again, Steve is killed for it by Waco Johnny Dean (Dan Duryea) and Lola Manners (Shelley Winters) gets herself kidnapped. This rifle is an awful lot of trouble. It switches hands again when Waco meets up with Brown to plan a heist in Tascosa. Brown removes the rifle from Waco’s possession with a threat of death. One really major iconic convention is the big bad Indian. While the Indians were seen briefly they are the most iconic. Part of the lore of the Western is the conflict between the encroaching “newcomers” or Easterners. Another icon that shows up is our main characters wearing cowboy hats. It may seem like a silly thing but when I think of Westerns, cowboy hats and boots, six guns and the calvary always come to mind. We also have a bank robbery, horses and a couple of saloons; all elements that make up a Western. We also have another story element that isn’t necessarily typical, brother against brother. Winchester ’73 fits into the Classical stage. It has accepted elements: cowboys, Indians, shoot outs, a damsel in distress, horses and an attempted robbery of the Wells Fargo. I can’t really compare other films in the genre because I don’t watch Westerns. However, this film does not fall into the same stage as Dances with Wolves. Besides Shane over 15 years ago, that is the only other Western I’ve watched from beginning to end. Winchester ’73 may have helped along the non-lawman hero that appears in the revisionist stage. There is no indication that Lin McAdam is any kind of law yet, he engages in a manhunt to track down his father’s murderer. In Winchester ’73 the concept of wilderness vs. civilization is seen by introducing the character of Lola Manners. She represents the easternization of the West. We never see her dressed in Western-styled clothing. She removes layers of her dress but nothing more. Even McAdam is prone to treating her with gentleness when he gives her his saddle to lay her head on telling her it’s more comfortable than the ground. Lola also looks to McAdam as the strong protective type and has a connection to him even though she is with Steve. We also see the concept in the attack of the Indians on the Calvary wagon train out to resupply a frontier fort. We see the Indians with “repeaters” that were stolen from Joe Lamont. The cowboy and Indian scenario is typical to most early Westerns. The theme of wilderness vs. civilization is not unique to the genre but the genre certainly gave it a huge boost. With the advent of science fiction wilderness vs. civilization took on a whole new meaning. Thank you Westerns! This movie is super cute! Chock full of cameos, it's frolicking fun reminiscent of the Muppets of my youth.
As the evil Kermit doppelganger Constantine escapes a Siberian prison, Kermit blows up at Miss Piggy for planning their wedding when he hasn't even proposed! So we have a foreshadowed moment here. Even Ricky Gervais's Dominic Badguy (it's French) was a foreshadowed character. We all knew that he was up to no good even before he talked to Constantine. I will try not to go into too much detail about the plot but I think we all know what it is from the trailers. It was well written and entertaining, which is what it should be for a kids movie. There's a love story (okay the usual love story Kermit and Miss Piggy), there's action to include explosions (which Constantine has a proclivity for) and music! How can you not love a musical number with the likes of Celine Dion? (She played Miss Piggy's piggy fairy godmother.) If you want to see a family movie during Spring Break go see this movie! You'll love it as much as your kids will! Star Wars Episode IV: A New Hope (1977) starring Mark Hamill (Luke Skywalker), Harrison Ford (Han Solo), Carrie Fisher (Princess Leia), Peter Cushing (Grand Moff Tarkin), the late Sir Alec Guinness (Ben Kenobi), Anthony Daniels (C-3PO), Kenny Baker (R2D2), Peter Mayhew (Chewbacca), David Prose (Darth Vader), and James Earl Jones (the voice of Darth Vader). Written and directed by George Lucas.
Back to the Future (1987) starring Michael J. Fox (Marty McFly), Christopher Lloyd (Doc Brown), Lea Thompson (Lorraine Baines), and Crispin Glover (George McFly). Written by Robert Zemeckis and Bob Gale. Directed by Robert Zemeckis. ANH is a story about the Rebel Alliance fighting against the Empire of Lord Palpatine. It really is a coming of age story, not just about the Rebels. Luke Skywalker wants to leave his home and join his friends. But things go awry when his Uncle Owen buys two droids from the Jawas. Luke chases down R2D2 and encounters the Tusken Raiders (a.k.a. Sand People). He is rescued by Ben Kenobi. After the brutal murder of Luke’s aunt and uncle by Stormtroopers, Ben whisks him, and the droids, off to find the Alliance and Princess Leia. A lightsaber duel, a battle or two later and we get to the final bits, the destruction of the Death Star and the medal ceremony. BTTF is time travel! Yay! How much more sci-fi can you get? Doc Brown uses a Delorean to put his flux capacitor in. He is hunted down and shot by terrorists (he stole their plutonium which is the only thing that can power the flux capacitor and allow the Delorean to time travel). Marty was still in the car and to save himself he traveled back to 1955, the day Doc Brown first thought of the flux capacitor. Marty accidentally meets his parents and puts his own life in peril. His mother falls for him instead of his father. She pursues him as Marty tries to give his father the courage to stand up to the bully Biff and ask Marty’s mother Lorraine to the enchantment under the sea dance where they seal Marty’s future with a kiss. Common elements in ANH that are found in science fiction: space (the final frontier!), futuristic (even though it is set “a long time ago, in a galaxy far, far away), starships, and the Force. While the Force is not science-y it’s mystic and mystic powers have been creeping into science fiction in the last few years. Common elements in BTTF that are found in science fiction: time travel and technology. Or rather advanced technology. Just because a flux capacitor is theoretical (and highly improbable for Doc Brown’s purpose) doesn’t mean we can’t consider it advanced technology. Both films are coming of age stories. The wonderful thing about them is the coming of age happens over the course of three films rather than one. We see the change in Luke from impatient teen to the only Jedi Master in the galaxy. Marty, the change isn’t so drastic. He goes from being a hothead that would stand and fight just because someone calls him “chicken” to using his head and not taking the insult to heart. This is where the similarities end. The differences are huge! BTTF and ANH have completely different settings. BTTF is set here on earth in a more present time, 1987. ANH is in an undetermined time period and an unknown galaxy. One is time travel and one is an epic space opera. Both have vastly different genre elements I Am Legend stars Will Smith (LTC Robert Neville), Alice Braga (Anna), and Charlie Tahan (Ethan). Francis Lawrence directed. This film marks the debut of Willow Smith as an actress. Never, ever use a virus to cure anything.
The first few minutes of the movie are all there is to Act I, we get Emma Thompson’s uncredited character talking about curing cancer; then we get three years later and someone running a Mustang through the very overgrown and deserted streets of a city. If we are to look at it like a book, it’s more of a prologue. Right about here is where we get the first flash back and part of the story behind why the streets of New York are deserted. The second turning point is well into Act II when Sam gets bitten by the infected dogs and Robert has to kill her. He breaks and finally loses himself. He goes on a vengeance fueled rampage killing the infected. That’s about where we have the next turning point. He’s rescued by another survivor. Act III begins here. Anna talks about God’s plan and Robert hears the infected coming. Robert realizes that Anna is indeed the one that is meant to be the courier of the cure. The climax is reached here. He ends up blowing himself up as well as his lab to give Anna and Ethan the chance to live. Anna and Ethan do make it to the colony of survivors in Vermont. Some of the best shots in the movie are the medium shots of the action. It gives a feel of actually being there and the immediate sense of urgency. All of the shots are spectacular. The over the shoulder shot when Robert and Sam are hunting the deer was great. Gives good perspective of how it feels to hunt. The long shot of Robert pulling up to his house which is actually several yards away was another good shot. The low camera angles when Robert is moving around the house make it seem to be from a child’s view, which works. I think the low angles also add more of a dramatic element. The lighting in the lab was excellent. There was a lot of directional lighting in the interior scenes. In the videos store we get a shot that includes Robert but he’s not the focus of the shot. The mannequin to his left is the object of the shot. A majority of the transitions are cuts. The one exception, Robert loses consciousness while hanging upside down. The scene fades out, the next fades in and it’s gone from day to almost dusk. The scoring was great as well. The effects were outstanding, especially when the infected grabbed onto Robert and followed him out of the window. The beating the head on the concrete was excellent. They used people for the infected yet, there are just some things we can’t ask actors to do. I don’t think it could have been done any better. The costuming was excellent. The infected were appropriately grubby. Good consistency with Robert’s clothes from scene to scene. Even though this was released in 2007, the effects are still believable. What are the Deathly Hallows besides a clever way to distract Harry and
company? (Imagine a deep drawling voice of a grandfather beginning a fairy tale.) The legend goes … no, sorry, not really. The Deathly Hallows consist of three objects that will allow the owner to cheat death: the Resurrection Stone, the Cloak of Invisibility, and the Elder Wand. Daniel Radcliffe and company appear in the final installment of the “Harry Potter” saga. How closely does this movie follow the beloved final book in the epic series from J.K. Rowling? In my opinion, as a fan, pretty darn close! With a few discrepancies, mostly minor, director David Yates and screenwriter Steve Kloves did a fantastic job of sticking to the book. Beginning with Voldemort’s theft of Dumbledore’s Elder Wand (The final element of the Deathly Hallows, remember that, it’s important later!) and the gentle reminder of Dobby’s death at the end of part one, and giving us the epic battle at Hogwarts* when all hell breaks loose. This film did not disappoint; however, there were some minor flaws that the discerning “Harry Potter” connoisseur would spot. The first minor flaw we saw was at the Shell Cottage. Shell Cottage is the home of the eldest Weasley, Bill and his new wife Fleur. (They were married in part one!) It is also a safe destination for the Order of the Phoenix. No discussion of Griphook, the sword and what to do. This is a good thing. It would have disrupted the flow of action in the movie. So, yay for this flaw! Gingotts* didn’t go right if you’re a purist. The ride through the vault area felt condensed. If you’re a purist and you watch this movie, you’ll notice that Ron casts the “Imperious” curse* rather than Harry. This bugged me a lot more than it should have. It was line reassignment that was unnecessary. In the book, Harry has the idea to ride the dragon to safety. However, in a clever line reassignment, Hermione has the idea. It made Hermione a stronger female lead. But, the Gringotts scene turned out better than the audience could have hoped for! All of Harry’s visions in the movie cover what couldn’t be used from the book. This worked well to help keep the pace of the film. It also helped explain the depth of the connection between Harry and Voldemort* for those that have not read the book. The final moments of everyone’s least favorite professor happen in the wrong location. Yet, it was rather moving. We finally see Snape* issue a few kind words to Harry, “You have your mother’s eyes.” He also demands that Harry take his tears. Uhm, okay. It should have been gray strands of memory rather than tears. If you’ve not read the books, here’s where we learn a few things about Lily Evans Potter* as well as Severus Snape. Snape should have died in the Shrieking Shack*. But hey, who wanted to see the Whomping Willow* on screen again anyway? “The Battle of Hogwarts” will be talked about for years to come! Well, it would be in Harry Potter’s world. Okay, who am I kidding? Potterphiles* will be talking about how much detail was cut, and whether or not they liked it or loved it. However, the rest of us will be talking about how HP8 beat the pants off The Twilight Saga: Eclipse for midnight showings. It raked in $43.5 million in just a few hours. That takes in all the midnight showings across the country. That’s right. Just in the US alone. The figures are staggering when we take into consideration the rest of the world! Way to go Harry! As for me, I will be going over that epic battle in my head until it’s out on DVD. The battle didn’t play out on the big screen as it did in the book. We didn’t witness Percy shielding the body of Fred as the fighting raged on. Instead, we see this afterwards in the Great Hall, which functions as the infirmary. We see an abbreviated battle. Again, it works. The battle in the book occasionally lagged. But, J.K. Rowling crams in so many details that it doesn’t translate well. If we had gotten it exactly like the book, it would have dragged the movie’s pace. Another win for Mister Kloves! The final pieces I will make my comments on are the separation of Voldemort from Harry, or Harry’s “death” and the death of Voldemort. Come on, if you’re surprised that Voldemort dies then you’ll be surprised that there won’t be any more movies! There were several sniffles spotting the midnight showing as Harry realizes he has to die. Now, we were expecting it right? Well, those of us that bothered to pick up the book anyway. Great execution on the part of Mister Yates and Mister Kloves. One hitch though… invisibility cloak*. Where was the invisibility cloak and why did the director and screenwriter make Hagrid hold Harry? He should’ve been on the ground. I was curious to see how the invisible Harry attacked Voldemort. But, thanks, they cut that out. The final battle between Harry and Voldemort was better than I expected. The strength behind Harry’s spell shows the power he had without that tiny part of Voldemort inside. He beat him by sheer determination. Oh, and Neville helped, I suppose, when he killed Nagini, Voldemort’s last horcrux* and ginormous snake. The shock on Voldemort’s face was exactly like what I, and I think countless others, imagined it would be. “What? A boy defeated me? And not even a Pureblood!” At least I imagine that was what went through his mind. This is where I will leave you. There is a bit more but I want you to enjoy the movie as I did. For the love of all things Potter, one Muggle* to another, live long and prosper. Oh, wait! That’s Star Trek! *Here is your “Harry Potter” glossary (From harrypotter.scholastic.com) Gringotts – The wizard bank in London, with vaults far below the streets, run by goblins. Hogsmeade – The only completely magical village in Britain. Hogsmeade is not far from Hogwarts and has an array of wonderful shops including Honeyduke’s sweet shop, the Three Broomsticks pub and Zonko's joke shop. Hogwarts School of Witchcraft and Wizardry – The best school of its kind in the world. Hogwarts is in a secret location somewhere in the North of Britan The four greatest witches and wizards of the age founded Hogwarts more than a thousand years ago: Godric Gryffindor, Helga Hufflepuff, Rowena Ravenclaw and Salazar Slytherin. They built a remote castle, far away so that witches and wizards could train in safety. Pupils attend from age eleven for seven years of rigorous training in the art of witchcraft and wizardry. There are a hundred and forty-two staircases at Hogwarts and everything keeps moving around, so things are not always in the same place. Horcrux – An object in which a person has concealed part of their soul. Imperius Curse – Spell to control another person completely, using the incantation “Imperio.” One of the three Unforgivable Curses, it can be resisted only with great mental effort. Invisibility Cloak – Magic cloak granting the wearer invisibility. Muggle – Person totally without magical powers. Muggles live in ignorance of the world of wizards and witches. (I encourage anyone to look this word up online, UrbanDictionary.com and Dicitionary.com) Potter, Lily – Harry's mother, born to Muggles but married a wizard. Lily is the sister of Petunia Dursley who is decidedly un-wizardly. Shrieking Shack – Supposed to be the most haunted building in Britain. Situated in the town of Hogsmeade. Snape, Severus – Potions master at Hogwarts. He is tall and thin with sallow skin, greasy black hair and a hooked nose. He hates Harry Potter. Head of Slytherin house. Voldemort, Lord – Evil Wizard greatly feared by wizarding folk. His dark reputation is such that his name is hardly ever spoken out loud. Most wizards will only refer to him as He-Who-Must Not-Be-Named or You-Know-Who. Disappeared from view after the death of James and Lily Potter, following a battle that left Harry an orphan and bearing a lightning scar on his forehead. (Also known as Tom Riddle) Whomping Willow – Large tree in the grounds of Hogwarts that hits anything that comes too close. NOT FROM SCHOLASTIC – Potterphiles – The media name for fans of Harry Potter, whether it is the book series or the movies. I’d rather like to think that it’s a term of affection given the fans. Sadly, I couldn’t find the outlet that first used this term! Written and directed by Norwegian filmmaker Tommy Wirkola, (his last project was Hellfjord, a Norwegian TV comedy), this lovely little picture earned its R rating. With Jeremy Renner as Hansel, Gemma Arterton as Gretel and Femke Janssen as Muriel, these stars are all familiar with CGI effects. Hansel & Gretel: Witch Hunters is full of action packed ass kicking sequences, blood, guts and swearing.
Wirkola’s plot starts with the story most everyone has heard growing up. A little boy and girl are left the forest. They wind their way through said forest and stumble upon a house made of candy. The children are let inside, captured and the witch holds them captive. The witch feeds young Hansel (played by Cedric Eich) candy to fatten him up. Young Gretel (played by Alea Sophia Boudodimos) cleverly picks up a nail, picks the padlock on her chains and the brother and sister begin their lives as witch hunters. Fast forward “many years later” and Hansel and Gretel have made a name for themselves tracking and killing witches. But you have to wonder how the witch didn’t kill Gretel all those years ago in the battle for freedom. The duo arrive in town, at the request of the mayor, just in time to save a young woman from being burned. Children have gone missing. The town thinks this woman is the witch. Hansel saves her, Gretel breaks Sheriff Berringer’s (played by Peter Stormare) nose and they pow-wow with the mayor. They are in the pub where they meet Ben (played by Thomas Mann) and receive a message from the Grand Dark Witch. One of the sheriff’s men returns and explodes. “The curse of Hunger for All Crawling Things. I fucking hate that one,” Gretel says as the entrails hang, and blood drips, off her. Hansel has used young Ben as a shield. They go hunting, catch a witch, try to save a girl and Hansel and Gretel get separated. Gretel is set upon by Sheriff Berringer and more of his men. She is rescued by a troll named Edward. When she asks why he helped her he replies, “Trolls serve witches.” The brother and sister learn what really happened to their parents after meeting up in the forest where the movie starts. With the help of Mina (played by Pihla Viitala), the young woman Hansel saved, Hansel is able to locate and free his sister after she is captured by Muriel. But stop here I will! Spoilers. But one of the best lines from the movie ends it. Gretel, “I hate to break it to you, it’s not going to be an open casket.” When Hansel comes upon the witch’s house that started the whole ordeal he utters the line, “Whatever you do don’t eat the fuckin’ candy.” It is possibly one of the best lines in the movie that was previewed in the red tail trailer making rounds on the internet when this handy thing was “Unrated.” Besides the swearing, which there are a lot of f-bombs, it seemed like a novice filmmaker just randomly stuffing them in. Not to mention the brief nude scene, more later on that. The plot was fairly sturdy but there were spots that could have been a little better. The pub could have been so much more than it was. There was potential for comedic scenes but it wasn’t used and for a comedy writer, what a missed opportunity. Jeremy Renner’s performance was really good. He took a pounding in the action sequences and for the age difference between the leads, well, you’d never know he’s hit the big 4-0. Gemma Arterton’s Gretel was a great performance. There was chemistry between them but not sexual chemistry. The casting decisions there worked well. The choice for Mina however, was a bit lacking. She did a good job in her role but there was no chemistry between Mina and Hansel, not like there was with Renner’s Hawkeye and Scarlett Johansson’s Black Widow in The Avengers. Although it takes a certain type of female to match Renner, Rachel Weisz didn’t have the chemistry required for the break neck action, and supposed sexual tension, in The Bourne Legacy. But then, the story was about revenge, which Hansel tells us “revenge is good but it won’t bring [their] parents back” and not love. But a random implied sex scene that lacked anything but awkwardness helped earn this movie it’s R rating. If you want a good blood and guts shoot’em up with leather, corsets and plenty of steampunk then this is an excellent movie to see! Melvyn James Kaminsky was born 26 June 1926 to Maximilian and Kitty (Brookman), the youngest of four children. Maximilian, a Jewish immigrant from Danzig, died suddenly when Mel was just two years old, leaving his mother Kitty to work ten hours a day in the garment district to provide for her family. She also had to bring extra work home at night to make ends meet until Mel’s brothers were old enough to work. By the time Mel was 14 he had learned to use comedy to help him cope with being small in stature in the Williamsburg (Brooklyn) slums where they lived. He learned the drums and began playing gigs for pocket change. He went to college for only a year before the Army drafted him; Mel became a member of the early edition of explosive ordinance disposal and participated in the Battle of the Bulge.
After the war Mel worked the borscht circuit but another Kaminsky, no relation, worked that circuit and, after a case of mistaken identity, Mel took the professional name Brooks. His first shot at stand-up comedy came when he filled in one night for an ill comedian. He began his acting career in Redbank, New Jersey, worked in radio and held the position of social director at Grossinger’s in the Catskills. In 1949 he was asked to write material for NBC’s Broadway Review by his friend Sid Caeser. Sid paid Mel out of his own pocket. Mel also worked on Your Show of Shows with other writers like Woody Allen, Carl Reiner and Neil Simon. After several years of kicking around in New York, Carl Reiner went to Hollywood and Mel Brooks followed. The year was 1960. The same year they made an LP of their “Two Thousand Year Old Man” interview and it sold over a million copies. Among Mel’s many achievements to date is the NBC show Get Smart, the movies The Producers, Blazing Saddles, To Be or Not to Be, Spaceballs, and Robin Hood: Men In Tights. And who knew that Mel Brooks had a fan in George Lucas, who reportedly loves Spaceballs despite Star Wars being the subject of Mel’s satire. Mel Brooks always pushes the satire envelope. In Blazing Saddles the greedy white man pits himself against a “dumb” black man that is made sheriff in the hopes that he will end up dead and the town will fall apart so the land can be snatched up. Wait, a black sheriff in the Old West? Yeah, Brooks went there. It’s a situation, no matter how you slant history, that would never have happened. Black Bart almost had himself a spin off TV show but it didn’t happen for some silly reason or another, such a shame, it would have been hilarious! Cleavon Little played the part of Bart very well using the stereotype of black men at that time to his advantage to save the town. Robin Hood: Men in Tights poked fun at another big 1990’s film Robin Hood: Prince of Thieves. It had another hallmark of a Mel Brooks film, besides being hysterical, it had the must have a Jewish character, Rabbi Tuckman. Obviously a great stand in for Robin Hood lore’s Friar Tuck. This movie went to the point of lampooning the 1938 Errol Flynn version by putting all the men in tights that matched. Sometimes in the odd detail that the funny is found like in Maid Marion’s Everlast chastity belt and the “key” Robin has. After all, Robin of Loxley and Marion of Bagel were made for each other. See what Brooks has done here? Sometimes it may come down to the names of characters. But the funny is there. In another film Spaceballs we have a seemingly Jewish styled character in Yogurt. He’s the stereotypical “Jew” concerned with the money magic of merchandizing! Yet, the audience only sees the spoof on Yoda, the Force, lightsabers and the Wizard of Oz. One thing that really makes this film successful is that there is an underlying love story. Not Prince Valium and Princess Vespa but Lonestar and Vespa. It’s funny because they spend the whole movie not broaching the subject of attraction and when Lonestar finds out he’s an “honest to God prince”, Vespa chooses him rather than the “pill” Valium. Pizza the Hut, voiced by Dom DeLuise, is also pretty funny One thing that Mel Brooks does is to make sure the audience knows that what they are seeing is just a movie is play to the camera. He has the character look right at the camera, something that Cary Elwes’ Robin of Loxley does often in the presence of Prince John (Richard Lewis) or the Sheriff of Rottingham (Roger Rees). Whether it’s a raised eye brow or a line delivered the audience knows! The crowd at the end of …Men in Tights exclaims “A black sheriff?” To which Ahchoo promptly replies, “Why not? It worked in Blazing Saddles!” The young kid running through the forest screaming that the sheriff’s men were giving chase screams right into the camera and again after Robin trounces them, saving the young man. Mel Brooks is not afraid! All he wants to do is entertain the masses and he does it well with the help of some friends. He has repeat offenders in his movies. (I think the only other current Hollywood director that has a noticeable favorite is Tim Burton!) Amy Yasbeck is featured twice. A right favorite, appearing in three Brooks films, is Dick Van Patton. But perhaps the one actor that was cast the most in Brooks’ films was none other than comedy great, Dom DeLuise appearing in six movies. Cloris Lechman and Gene Wilder also make the list of repeat offenders to work with Brooks. A funny story about Gene Wilder and Young Frankenstein, Wilder worked with Brooks on the script and starred in the film under the condition that Brooks not make a cameo in it. That happens to be a great movie too. Bibliography "AVClub.com." n.d. 10 March 2013. <http://www.avclub.com/articles/mel-brooks-on-how-to-play-hitler-and-how-he-almost,89843/>. "EBSCOhost.com." n.d. 2013. <http://0-web.ebscohost.com.iii-server.ualr.edu/ehost/detail?sid=42a219c6-a0ca-43fd-81e0-286ea133190d%40sessionmgr111&vid=4&bk=1&hid=120&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#db=brb&AN=203033188>. Mel Brooks. n.d. 10 March 2013. <http://www.imdb.com/name/nm0000316/?ref_=sr_1>. The women of The Help, Minny, Aibileen, Skeeter, Celia, Charlotte, Elizabeth and Hilly are all in different circles. The men folk are rarely seen, when they are they were with their wives. Minny and Aibileen were not the only oppressed women in the film. Skeeter was oppressed by her mother and the need to keep up the Jackson, Mississippi standard of getting a husband, not working, and having a maid. Yet in the end she understands Skeeter and finally lets her daughter live her own life.
Minny and Aibileen are oppressed and not given equal treatment because of their skin color. It’s this oppression that leads Skeeter to have the brilliant idea for her book. She wants them to tell how life really is. Minny is a “sass mouth” black and decides to join Aibileen and Skeeter. These are non-traditional roles and not realistic for the time but they make a great story. More typical roles are assigned to Charlotte, Elizabeth, Skeeter, Hilly, and Celia. How is Skeeter in a typical role? She still follows the wishes of her dying mother. But she asserts herself and breaks free. Celia is type cast as white trash by all of the other women in Jackson and is treated as a sex object. In the fundraiser scene we see both by her actions and her manner of dress. The men look at her and the help talk about her saying the women better hide their husbands. Charlotte is stuck as the frustrated mother. Her daughter is still single when all of her friends are married, whether happily or not. Granted we see a change in Charlotte at the end and that is more realistic. Elizabeth is stuck under the oppression of Hilly. Hilly is a down right bitch, with all capital letters. She pushes people around and thinks she’s the best person out there. She makes decisions for Elizabeth and Elizabeth doesn’t say anything to her. This is surely a realistic situation. Of the women in the film Hilly is depicted as the most powerful because of the hold she has over people. Skeeter empowers the help with her book. Still, the film is not a very realistic situation in the middle of the civil rights movement and in Jackson, Mississippi of all places. The only equal treatment in this film is when Skeeter is with Minny and Aibileen, when the help is all together, or when the whites are together. There are several moments of inequality between the women. Hilly treats everyone like they are beneath her and she elevates her friends in the presence of the help. She is particularly mean to Celia. The portrayal of women in this film is accurate to the period. Children in the well to do families of the south really did get raised by the black maid. Some of these women did spend their time in the Junior League and organizing fundraisers. They knew no other way. It had been passed on for generations and didn’t show any signs of changing. My Week with Marilyn is based on diaries and the book The Prince, The Showgirl and Me by Colin Clark, directed by Simon Curtis and screenplay by Adrian Hodges. The cast includes Michelle Williams (Marilyn Monroe), Kenneth Branagh (Sir Laurence Olivier), Eddie Redmayne (Colin Clark), Emma Watson (Lucy), Dame Judi Dench (Dame Sybil Thorndike), Dougray Scott (Arthur Miller), Julia Ormond (Vivien Leigh), Zoë Wanamaker (Paula Strasberg), and Dominic Cooper (Milton Greene).
Kenneth Branagh plays Sir Laurence Olivier who is unquestionably one of the greatest actors of the 20th century. Sir Olivier’s goal in this film is to work with and seduce Marilyn during the production of The Sleeping Prince (the name of the actual production was The Prince and the Showgirl.) His obstacles are his age, his training background, and the object of his attention, Marilyn herself. Sir Olivier thinks that Marilyn is one of the most beautiful, and talented, woman in the world. Yet he discovers she doesn’t have the training that he has and she’s a “method” actor. He dislikes the “method” and realizes that Marilyn in person is not the Marilyn that is on the screen. His grand illusion of her is crushed and he obviously abandons any thoughts of her at all beyond making the film. He sees himself as a teacher to the young Marilyn and figures out that he can’t change who she is. Sir Olivier is greatly influenced by his classical theatre training; he believes all actors should be trained. He changes through this film by realizing he can’t change Marilyn and that he can’t seduce her. (She had taken a shine to Colin Clark instead.) His frustrations with Marilyn fuel a lot of his actions. He feels that making the movie with Marilyn will make him feel young again and he realizes that he is wrong. Eddie Redmayne plays Colin Clark, the man who told his story. His goal in life is to work in film. He wants to do anything to get a foot in the door. So, he goes for an interview and keeps returning even after he is told there is no work. They appreciate his tenacity and hire him as a third assistant director. Colin faces his father’s disapproval. But his mother is sure that the studio will love him and make him a director within the week. His love for the cinema comes from spending every Thursday night in the cinema finding refuge from his family of over achievers. His father was historian Kenneth Clark and his brother a former Conservative MP and minister. He views himself as the disappointment in the family. He tries to not be like his family. Colin has the need to fit somewhere and he wants it to be in the film industry. He strives to be successful (like the rest of his family but in his own medium.) Colin grows just in the short time that he has with Marilyn. He experiences love and heart break all at her hands yet he remains her friend. He also becomes a friend of Sir Olivier just by being the overachiever he was raised to be. There isn’t really a message in this film. It tells the story of one week that Colin Clark had with a Hollywood icon that no one would otherwise know about. Most of us have grown up knowing the name Marilyn Monroe and who she was as an actress but this movie gives insight into Norma Jean Baker, the real person behind Marilyn Monroe. It communicates how the world saw this blond bombshell and how the intimate moments of Marilyn and Colin really show her insecurities, worries and needs. She really needed to be loved for who she was off screen and that was not how people loved her. They loved the created creature. |
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August 2022
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